Liebe (German Edition)
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The scene where he smashes the mirror could easily have failed, but he brings it off.
His secretary is aptly named "Worm": He's the classic parvenu, opportunistic yes-man of German literature, brilliantly depicted by novelist Heinrich Mann in "Der Untertan. Willi Schwabe chatters von Kalb's lines like a frenchified caricature of aristocratic decadence. I didn't get this from reading the play, but I think Schwabe's long suit was comedy, anyway. Marion Van de Kamp is an exquisite Lady Milford: She makes her somewhat contrived hard luck story sound believable, and her scene with the jewels and the old servant is memorable. The small roles of the petty, rather stupid mother, and the eager-to-please maid are handled with competence and professionalism by Marianne Wuenscher and Christine Schwarze, respectively.
The only disappointment was Martin Hellberg as Miller. He overacts, raises his voice in the wrong places, and appears pretty unsympathetic. Maybe this is because he directed the movie, too. In any case, I thought his interpretation heavy-handed.
Liebe macht blond (Jojo #4) by Hortense Ullrich
I wish I knew where this was filmed. It was done on location, somewhere, and the whole effect is tasteful, convincing, and moody. It doesn't have that Colonial Williamsburg look that so many films set in this period, both European and America, find it hard to avoid. American audiences might find resonance in the scenes where the townspeople and farmers are dragged off to the army by press gangs.
This was a growth industry in Germany at the time. It financed high-end lifestyles for the princes, some of whom got extra cash if their soldiers-of-misfortune got killed. That's what paid for Lady Milford's diamonds. Some of this unlucky cannon-fodder ended up fighting the American colonists when the British ran short of personnel: These were the Hessians, so called because most of them came from Hesse-Nassau. The contractor, Landgrave William IX, became one of the richest men in Europe, and gave Mayer Rothschild his start in the banking business.
Maybe this is why the class conflict themes in the play are written so large. And the scene where the shanghaied troopers are shot after their failed mutiny is pretty powerful. By the way, this seems to have been the cinematic finale for most of the cast.
Was unsere Holzuhren ausmacht?
With one or two exceptions, they seem to have dropped out of acting altogether, or removed permanently to the small screen to do cop shows. I viewed this on a region free DVD-player. The disc had no subtitles. My German is far from perfect, so anyone who's familiar with the play, and who has a working knowledge of the language, will likely enjoy this film. And Schiller, who really endured a lot of humiliation, persecution, and worse, in the courts of German princes, would, I think, approve of Hellberg's version.
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Go forth and cry, bearing precious seed, and come with joy bearing their sheaves. Das Gras ist verdorret und die Blume abgefallen. Aber des Herrn Wort bleibet in Ewigkeit. For all flesh is as grass, and the glory of man like flowers. The grass withers and the flower falls. Therefore be patient, dear brothers, for the coming of the Lord.
Behold, the husbandman waits for the delicious fruits of the earth and is patient for it, until he receives the morning rain and evening rain. But the word of the Lord endures for eternity. The redeemed of the Lord will come again, and come to Zion with a shout; eternal joy shall be upon her head; They shall take joy and gladness, and sorrow and sighing must depart.
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Siehe, meine Tage sind einer Hand breit vor dir, und mein Leben ist wie nichts vor dir. Ach wie gar nichts sind alle Menschen, die doch so sicher leben. Sie gehen daher wie ein Schemen, und machen ihnen viel vergebliche Unruhe; sie sammeln und wissen nicht wer es kriegen wird.